If you think you know Poe, think again. You may already be familiar with “The Raven” and some well-known short stories, but the range and influence of Poe’s work is far wider than most people realize or acknowledge. He was a remarkable innovator, as well as the inventor of a number of popular genres, and his work offers us valuable and early insight into philosophy and psychology. Beyond this, he had a huge impact on literary and cultural history. His writing was central to the development of detective fiction, modernist painting and illustration, film, psychoanalysis, and literary theory. In this course, we’ll focus mainly on what Poe described as his works of the “Grotesque and the Arabesque,” including his Gothic tales of doubling and haunting, his tales of sensation, his philosophical speculations, and selected poems and criticism. We’ll pay attention to research on Poe within the psychoanalytic field by authors such as Marie Bonaparte, who considered Poe’s perverse neurotic tendencies in connection with the moral values of his writing. We’ll also consider the work of his best-known illustrators; we will also watch movies based on his works, and trace his complicated legacy in Baltimore, where he died mysteriously on October 7, 1849.
You will need to buy The Portable Edgar Allan Poe, edited by J. Gerald Kennedy, (Penguin Classics). Used copies are available for as little as $3.00 on Amazon.com. Other editions are fine, but you should NOT use an electronic edition, since we will be focusing on very close readings, and you will need to refer to specific paragraphs and page numbers in class. Complete Works, Edgar Allan Poe Society of Baltimore.
Week Three: Buried Alive! Part 1
Read: “The Premature Burial” (1844) (p59) and “Ligeia” (1850) (p111). Lecture. “Poe as Amateur Psychologist: Flooding, Phobias, Psychosomatics, and “The Premature Burial”, Brett Zimmerman.The Edgar Allan Poe Review, Vol. 10, No. 1 (SPRING 2009), pp. 7-19
Week Four: Buried Alive! Part 2.
“Berenice” (1835) (p97). Lecture.”The Telltale Teeth: Psychodontia to Sociodontia” Theodore Ziolkowski, PMLA, Vol. 91, No. 1 (Jan., 1976), pp. 9-22
Sept 25: Buried Alive! Part 3
“The Fall of the House of Usher” Lecture. “Madmen and Moonbeams: The Narrator in “The Fall of the House of Usher” John C. Gruesser The Edgar Allan Poe Review, Vol. 5, No. 1 (SPRING 2004), pp. 80-90. Visit the Poe Grave and Catacombs.
Week Six: Perversity: “The Black Cat” (1843) (p192). Lecture.
“The Imp of the Perverse” (1845) (p202). ““The Black Cat,” and Current Forensic Psychology, Vicki Hester and Emily Segir Source: The Edgar Allan Poe Review,Vol. 15, No. 2 (Autumn 2014), pp. 175-193
Week Seven: Obsessions and Compulsions. Lecture.
“The Man of the Crowd” (1840) (p229) and “The Tell-Tale Heart” (1843) (p187) “The Tell-Tale Heart” and the “Evil Eye” B. D. Tucker The Southern Literary Journal, Vol. 13, No. 2 (Spring, 1981), pp. 92-98
Week Eight: The Boundary between Life and Death
“Some Words with a Mummy” (1845) (p337) and “The Facts in the Case of M. Valdemar” (1845) (p71) Cadaverous Intimacies: Disgust, Desire, and the Corpse in Edgar Allan Poe’s “Valdemar” Suzanne Ashworth Criticism, Vol. 58, No. 4 (Fall 2016), pp. 565-592.
Week Nine: Death & Disease
“The Masque of the Red Death”. Emerging Infectious Diseases •Vol. 8, No. 12, “Ebola-Poe: A Modern-Day Parallel of the Red Death?” Setu K. Vora and Sundaram V. Ramanan.
Week Eleven: Poems & Letters
Introduction (p395-399). Read: “Alone” (p408); “To Helen” (p409); “Ulalume—A Ballad” (p426); “The Bells” (p430); “A Dream Within a Dream” (p434): “For Annie” (p435); “To My Mother” (p440); “Annabel Lee” (p441). Letters: p447-464; p491-492; p498; p506-511; p512-515; p519-521.
Week Twelve: True Crime: The Mystery of Marie Roget (1842)
Read: Bill James, except from Popular Crime, pp 11-22.
Week Thirteen: The Mystery of Poe’s Death. “Once upon a midnight dreary: The life and addictions of Edgar Allan Poe,” RobertPatterson, M.D.